“Go commanded a mood at once vast and intimate with deft control and sensitivity” – Limelight Magazine

“Edge-of-the-seat creativity … heartbreaking focus” – Sydney Arts Guide

“Go’s playing is unremittingly warm-hearted and insightful” – Adelaide Advertiser

“Stunning… a fearless performance” – New York Times

“A dazzling ability to elicit the multilayered textures” – Rondo Classic

Aura Go is an Australian pianist whose practice spans performance, collaboration, curation, education and artistic research. She performs across the globe, as soloist in concertos from J.S. Bach to Sofia Gubaidulina, as recitalist and chamber musician in imaginative programs that interweave old and new music, and as creative collaborator in the development of performance projects. In recent seasons, Aura has been soloist with orchestras such as the Melbourne, Adelaide and Queensland Symphony Orchestras, Tapiola Sinfonietta, the Melbourne Chamber Orchestra and Orchestra Victoria. She has performed at international festivals including the Edinburgh Festival, Melbourne International Arts Festival, Australian Festival of Chamber Music, Kuhmo Chamber Music Festival, PianoEspoo, Melbourne Symphony Orchestra Metropolis Festival, and the Musica Viva Festival.

In 2025, performance highlights include the Australian premiere performance of Doreen Carwithen’s Piano Concerto with the Melbourne Chamber Orchestra, a new collaboration with the Australian String Quartet in piano quintets of Amy Beach and Gabriel Fauré, song recitals with Scottish mezzo-soprano Catriona Morison (Sydney Opera House Utzon Room) and Australian soprano Sara Mcliver (Dunkeld Festival), a series of duo recitals with Timo-Veikko Valve in Sydney, Adelaide and Tasmania, piano trios with Kristian Winther and Timo-Veikko Valve at UKARIA, a celebration of Jane Austen’s Music at the Melbourne Recital Centre, Clara Schumann’s Piano Concerto with Southern Cross Soloists, and soloist appearances in The Art of the Score’s new show ‘The Music of Joe Hisaishi’ with the Melbourne Symphony Orchestra.

With pianist Tomoe Kawabata, Aura founded the KIAZMA Piano Duo, which has established itself as one of Australia’s most dynamic ensembles. She enjoys a regular collaboration with cellist Timo-Veikko Valve (principal cello, Australian Chamber Orchestra), with whom she recorded the complete Beethoven cello and piano sonatas for ABC Classics. Other recordings to her credit include first premiere recordings of Lisa Illean’s arcing, stilling, bending, gathering (with Emma McGrath, Tilman Robinson and ANAM Strings), Japanese works for four-hands and two pianos with Tomoe Kawabata, and piano duets by Ekaterina Komalkova with Ian Munro. In 2023 Aura toured nationally for Musica Viva as pianist-actor in the new stage adaptation of Paul Kildea's Chopin’s Piano.

Aura is an advocate for new music and regularly collaborates with composers. World premieres to her credit include works by Australian composers Lisa Illean, Holly Harrison, Gordon Kerry, Ian Munro, Kate Neal and Cat Hope, as well as Tiina Myllärinen (Finland), Christopher Cerrone (USA), Garth Neustadter (USA) and Ye Xiaogang (China).

Aura is Head of Piano at the Sir Zelman Cowen School of Music at Monash University. A passionate educator, she has been visiting artist at the Fulbright College of Arts and Sciences at the University of Arkansas (USA), the Royal Academy of Music in Aarhus (Denmark), the Feliks Nowowiejski Academy of Music in Bydgoszcz (Poland) and the Australian National Academy of Music. She has taught piano at Yale College (USA) and the Sibelius Academy (Finland). Following studies at the Victorian College of the Arts and the Australian National Academy of Music, Aura attained her Master of Music at the Yale School of Music. Aura received her doctorate from the Sibelius Academy, University of the Arts Helsinki, where her artistic research drew on the acting methodology of Michael Chekhov to explore the embodied imagination, creativity, and collaboration in music performance.